{"id":2719,"date":"2024-07-06T05:56:26","date_gmt":"2024-07-06T05:56:26","guid":{"rendered":"https:\/\/muzictimes.com\/?p=2719"},"modified":"2024-07-06T05:57:34","modified_gmt":"2024-07-06T05:57:34","slug":"introducing-trapheauxly-atlantas-poetic-visionary","status":"publish","type":"post","link":"https:\/\/muzictimes.com\/introducing-trapheauxly-atlantas-poetic-visionary\/","title":{"rendered":"Introducing TRAPHEAUXLY \u201cAtlanta\u2019s Poetic Visionary\u201d"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\">Trapheauxly: Atlanta\u2019s Next Musical Icon<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Embracing Legacy with Modern Flair<\/h3>\n\n\n\n<p>In the vibrant musical landscape of Atlanta, one name is resonating louder than ever \u2013 Trapheauxly. Born into the legendary lineage of Rock N Roll Hall of Fame inductee Otis Redding, Trapheauxly is not just carrying on a legacy but reshaping it with her unique style and unwavering passion.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">A Blend of Genres and Legacies<\/h3>\n\n\n\n<p>Trapheauxly\u2019s music transcends genres, seamlessly blending Atlanta Trap with the soulful essence of NEO-Soul. Her latest releases, including &#8220;GODDESS&#8221; and &#8220;Good Grief,&#8221; have captured the attention of industry stalwarts like Super Producer\/Engineer E. Smitty, whose SONY-distributed label, Sound Alive Records, now supports her journey.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Active Engagement and Growing Presence<\/h3>\n\n\n\n<p>Beyond her musical prowess, Trapheauxly has cultivated a strong following across platforms like X, Instagram, and TikTok. Her engagement reflects a deep connection with her audience, amplifying anticipation for her upcoming releases that promise to channel the spirit of her grandaddy, Otis Redding.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Explore Trapheauxly&#8217;s Latest Projects<\/h3>\n\n\n\n<p>Experience the fusion of tradition and innovation in Trapheauxly\u2019s music:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Listen to <strong>GODDEXX<\/strong> on <a href=\"https:\/\/open.spotify.com\/embed\/album\/0cQV2nxSUWYVgaq8TIKexs?utm_source=generator\" target=\"_blank\" rel=\"noopener\">Spotify<\/a><\/li>\n\n\n\n<li>Purchase <strong>GODDEXX<\/strong> on <a href=\"https:\/\/embed.music.apple.com\/us\/album\/goddexx-ep\/1726498772\" target=\"_blank\" rel=\"noopener\">iTunes<\/a><\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Conclusion<\/h2>\n\n\n\n<p>Trapheauxly isn\u2019t just an artist; she\u2019s a storyteller weaving her narrative through music that bridges generations and genres. With each release, she invites listeners to join her on a journey where past meets present, creating a harmonious blend that resonates with the soul. Keep an eye on Trapheauxly as she continues to redefine Atlanta\u2019s musical landscape with her poetic vision.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Discover Trapheauxly, Atlanta\u2019s visionary blending NEO-Soul and Atlanta Trap, carrying on Otis Redding\u2019s legendary legacy.<\/p>\n","protected":false},"author":2,"featured_media":2720,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[18],"tags":[2680,2684,2681,2683,2682],"class_list":{"0":"post-2719","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-music","8":"tag-atlanta-music","9":"tag-atlanta-trap","10":"tag-neo-soul","11":"tag-otis-redding-legacy","12":"tag-trapheauxly"},"_links":{"self":[{"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/posts\/2719","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/comments?post=2719"}],"version-history":[{"count":2,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/posts\/2719\/revisions"}],"predecessor-version":[{"id":2722,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/posts\/2719\/revisions\/2722"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/media\/2720"}],"wp:attachment":[{"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/media?parent=2719"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/categories?post=2719"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/muzictimes.com\/wp-json\/wp\/v2\/tags?post=2719"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}